Yes Fred , i know, amazing, very incredible. Papa site is or has Qetc in private still, been a while since i looked, will look now though.
Appears so.
Yes Fred , i know, amazing, very incredible. Papa site is or has Qetc in private still, been a while since i looked, will look now though.
Appears so.
There's a reason for that, Vern, and it has less to do with the Qanon material itself than with its cult following. Those people are all rabid, and they will rip anyone to shreds who dares post an opposing view. And in addition to that, that thread was so "hot" in terms of activity that it raised the impression among visitors that the QAnon material was all that Project Avalon is about, with as a result that people were signing up at Project Avalon specifically and only to toot the QAnon horn.
= DEATH BEFORE DISHONOR =
Aianawa (7th July 2020), Dreamtimer (6th July 2020), Elen (8th July 2020), Lord Sidious (6th July 2020), Wind (6th July 2020)
Its good to see you name in blue again modwiz..
Welcome back.
Have a great day today
Aianawa (7th July 2020), Aragorn (6th July 2020), Dreamtimer (6th July 2020), Elen (8th July 2020), Lord Sidious (6th July 2020), modwiz (6th July 2020), PurpleLama (16th July 2020), Wind (6th July 2020)
Will repectfulllly not argue with you here Aragorn, has Moddy seen state of Tent yet ?.
Moving along ...
Waiting On A Friend
Source: https://www.youtube.com/watch?v=MKLVmBOOqVU
"You must have something known as Mojo to write a song this fine, and then bury it at the bottom of the album. Track #11...only Mick and Keith..."
"Waiting on a Friend" is a song by the Rolling Stones from their 1981 album Tattoo You. Released as the album's second single, it reached No. 13 on the Billboard Hot 100 singles chart in the US.
Recording of "Waiting on a Friend" (as 'Waiting for a Friend') began in late 1972 through early 1973 in Kingston, Jamaica, during the Goats Head Soup sessions when the band still had Mick Taylor as a member.
96-98 St. Mark's Place
In the liner notes to 1993's compilation album Jump Back, Mick Jagger said, "We all liked it at the time but it didn't have any lyrics, so there we were... The lyric I added is very gentle and loving, about friendships in the band." Jagger also had stated that the 1981 lyrics were contemplated for a future possible video, making the song the first Rolling Stones single to be packaged as a possible video for the emerging MTV channel.
The video, shot in July 1981, directed by Michael Lindsay-Hogg (who also directed their 1968 special The Rolling Stones Rock and Roll Circus), became very popular on MTV. Matching the song's lyrics, Jagger is seen waiting for Keith Richards in the doorway of an apartment block. The building, at 96-98 St. Mark's Place in Manhattan, is notable for having also appeared on the cover of Led Zeppelin's 1975 album Physical Graffiti. The two then walk down the street and enter the St. Mark's Bar & Grill where the other three band members are already drinking. Ronnie Wood appears in the video. although he was not a musician on the original recording. Jagger sings the song to Richards and the video concludes with the band setting up for a gig at the back of the bar, largely ignored by the other patrons.
The lyrics see a more mature side of singer Jagger represented. He speaks of setting aside women and vices in favor of making some sense of his life and finding the virtues inherent in true friendship:
Don't need a whore, I don't need no booze, don't need a virgin priest. But I need someone I can cry to, I need someone to protect.
The song is noted for its dreamy qualities brought on by the soft guitars, smooth rhythm, and Jagger's lilting refrain of "doo-doo-doo"'s. Stones-recording veteran Nicky Hopkins performs the track's running piano. The Stones hired jazz saxophonist Sonny Rollins to perform the solo on this song, as well as two others on the album. On his addition to the track, Jagger said in 1985:
"I had a lot of trepidation about working with Sonny Rollins. This guy's a giant of the saxophone. Charlie said, 'He's never going to want to play on a Rolling Stones record!' I said, 'Yes he is going to want to.' And he did and he was wonderful. I said, 'Would you like me to stay out there in the studio?' He said, 'Yeah, you tell me where you want me to play and DANCE the part out.' So I did that. And that's very important: communication in hand, dance, whatever. You don't have to do a whole ballet, but sometimes that movement of the shoulder tells the guy to kick in on the beat."
Additional percussion, comprising claves, cabasa, güiro and conga, by Michael Carabello, was added during overdub sessions in April and June 1981
Source
Aianawa (12th July 2020), Aragorn (11th July 2020), Dreamtimer (12th July 2020), Elen (11th July 2020), Lord Sidious (11th July 2020), modwiz (11th July 2020)
Beautifullll song that one Gio, welcome back, it soothes the Tent in prep ?
Aragorn (11th July 2020), Dreamtimer (18th July 2020), Elen (11th July 2020), Gio (11th July 2020), modwiz (11th July 2020)
Anyone for soup, spose it be not cold depending upon the southern or northern side of Tent lol.
Entree nonetheless.
Mmmm someone got matches ?
FFS am on a 35 day raw food diet in FN middle of winter, i FN virtual havin steaks n hagus with side order of bacon and Braun
Ps with the soup, ta Catz
Aragorn (18th July 2020), Dreamtimer (18th July 2020), Elen (18th July 2020), Gio (18th July 2020), modwiz (18th July 2020)
Speaking Amerglish ...
"The Deep Roots of an Italian Song That Sounds Like English—But Is Just Nonsense ...
In 1972, fascination with American culture spurred an Italian showman to revive a medieval comic tradition.
Before children learn how to speak properly, they go through a period of imitating the sounds they hear, with occasionally hilarious results, at least for their parents. Baby talk evolves into proto-words, so that “octopus” might come out as “appah-duece,” or “strawberry” as “store-belly.” But it’s not just children who ape the sounds of spoken language. There’s a long tradition of songs that “sound” like another language without actually meaning anything. In Italy, for example, beginning in the 1950s, American songs, films, and jingles inspired a diverse range of “American sounding” cultural products.
The most famous is probably “Prisencolinensinainciusol,” a 1972 song composed by legendary Italian entertainer Adriano Celentano and performed by him and his wife, Claudia Mori. The song’s lyrics sound phonetically like American English—or at least what many Italians hear when an American speaks—but are clearly total, utter, delightful nonsense. You really have to hear it to appreciate it."
by Vittoria Traverso
Prisencolinensinainciusol
by Adriano Celentano
3:39 minutes