Fuck that yamaha shit, Harley Davidson rules.
Oh, wait a minute..................
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Fuck that yamaha shit, Harley Davidson rules.
Oh, wait a minute..................
Thank you. You are too fucking smart to play that dumb. :love::grin:Quote:
Originally posted by Lord Sidious
I was quite young when this one came out, safe to say that I was quite smitten by it.
Source: https://www.youtube.com/watch?v=UO_Wcq1B10w
I grew up watching MTV and Cartoon Network, that helped a lot with understanding the English language.
Source: https://www.youtube.com/watch?v=DO2Kja3aXjs
I remember these ones too, always liked them. The 90's and early 2000's were quite the time to grow up.
Source: https://www.youtube.com/watch?v=hAx6mYeC6pY
Source: https://www.youtube.com/watch?v=DfzbVTQE3iw
Good music is ageless and it is perhaps one of the best expressions of the human spirit, a divine language.
Source: https://www.youtube.com/watch?v=hTl0F2cKzLk
I went out a few years ago to a Houston area hotspot, went into a bar and the Dj was wearing an electronic cardboard box on his head. First time i'd seen that since the "Uknown Comic". I would have laughed out loud but I suspect no one would have appreciated the humor. :) Now that I think about it, it was after Hurricane Katrina devastated New Orleans. He might have been from New O-lens, they have a thing about wearing things over their heads there. Witness the NO Aints NFL team.
This Friday's uploads from my favorite cover/tribute bands. ;)
Good stuff but the Classic Rock Show is by far the best (in my most humble opinion) ... :)
Well, they all have different approaches and different objectives. The Classic Rock Show (TCRS) is primarily a tribute band that primarily plays live. Lexington Lab Band is a tribute band that primarily aims at accurately reproducing classic songs as they were recorded in the studio, even if they have to summon five guitarists at the same time to get that sound, and they also have a thematic approach ─ i.e. they pick a number of songs from a given band or artist, and then they move onto another band or artist.Quote:
Originally posted by BeastOfBologna
Hindley Street Country Club has an entirely different objective. Instead of focusing on a particular band or on accurately reproducing any given song, they simply pick out songs based upon nostalgia ─ and most notably, in the mind of Constantine Delo, the founder and bass player ─ and then they do their own takes on and arrangements of those songs, even if it means completely changing the vibe of the original song. So in that regard, they are more of a cover band than a tribute band.
That said, HSCC is good at what it does. This most recent cover was pretty close to the original. Lesley Williams is a very versatile singer and she can do a lot more with her voice than what you'd give her credit for at first glance. She managed to get very close to the sound of Sheryl Crow's voice in this track ─ including the North American pronunciation, because you mustn't forget that HSCC are an Australian band from (the vicinity of) Adelaide.
However, there apparently was a still fairly recent split between Constantine Delo (bass, (occasional) acoustic guitar, backing & (occasional) lead vocals, arrangements) and Darren Mullan (piano, lead & backing vocals, mixing & production). I'm not sure what it was all about, but Darren has apparently now left HSCC in order to focus on his own projects, and with his disappearance from the band, several other band members have also stopped coming around. It's not clear to me whether this is related or whether it is just an unintended consequence of the current choice of songs. But either way, a few names of absentees in the recent videos are of course Darren Mullan himself, guitarist Tzan Niko, singers Sarah Lloyde and Nikki Heuskes, and yet a couple other guitarists and singers. So in terms of the vocalists, there is currently a more frequent video appearance of Pina Del Re, Lesley Williams, Kat Jade, Rusty Stephensen, Jordan Lennon and Danny Lopresto.
LLB in turn is also good at what it does. There's a very meticulous approach there in recreating the sound of the original (studio) recordings ─ note for note, if possible ─ but without using any overdubbing. So it's all played live, recorded and filmed three times for each individual song, and then professionally mixed and produced in the studio. They also use a more elaborate filming crew and lots of video editing, with footage from all three takes of each song.
And of course, TCRS are brilliant in their own right, and they excel in their live performances and presentations, but given that they have an international lineup ─ they are chiefly British but they do have a couple of US American members as well ─ they may currently be experiencing some difficulties in these corona times.
I just came across these lyrics and then I could hear the voice in my head. I don't think I actually knew all the words... Ah, if folks would just take this stuff to heart.
Quote:
"Take all the trauma, drama, karma, guilt and doubt and shame,
What ifs and if onlys, the shackles and the chains,
Violence and aggression, bitterness and scorn,
The jealousy and hatred, the tempest and discord:
And GIVE IT UP!"
There was a brief respite from mask wearing...
https://www.youtube.com/watch?v=BQcPpETH7Z4
This Friday's uploads... :)
Great cover, Hip to Be Square is one of my favorite songs.
yeah I like that one ... :)Quote:
Originally posted by Wind
This Friday's uploads... ;)